According to the latest information about the character which will play Ashton Kutcher in ''Two And A Half Men'', it will not be the easiest. He will create so many problems with Jon Cryer. And all because he suffers from a serious separation. The TV series will begin in late September with producers have invested heavily in the appearance of the famous actor in place of Charlie Sheen.
movieswelcome
Welcome!!!
Tuesday, August 30, 2011
Video: Watch the first promo of the ''Hunger Games''.
The audience was in panic when in the ''Nokia Theatre'' appeared on the screen Jennifer Lawrence. Which is the reason?It was presented the first scenes from the new movie stars along with Liam Hemsworth, the ''Hunger Games''. It is the highly anticipated new film thriller in the winter. It is the first of four whole film will be released and will be based on the same title book series.
Sunday, August 28, 2011
Saturday, August 27, 2011
Fanny and Alexander(1982)
The title characters are children in the exuberant and colorful Ekdahl household in a Swedish town early in the twentieth century. Their parents, Oscar and Emilie, are the director and the leading lady of the local theatre company. Oscar's mother and brother are its chief patrons. After Oscar's early death, his widow marries the bishop and moves with her children to his austere and forbidding chancery. The children are immediately miserable. The film dramatizes and resolves those conflicts. A sub-plot features Isak, a local Jewish merchant who is the grandmother's lover and whose odd household becomes the children's refuge.
Photos from the film :
Friday, August 26, 2011
Interview with Nikos Goudanakis!!:)
The actor-director Nick Goudanakis I gave me a mini interview on the course of his career, the play''The conventionally lies''and his future plans!
-I would like you tell me a few words about your artistic life within and outside Greece.
I am sharing between Greece and Germany and Italy, having in recent years leave any activity in Greece, and concentrated mainly abroad. Apart from my activities as an actor, I translate plays and teaching theater. Lately the center of my interest is the teaching of ancient Greek drama to foreign actors, and the effort to communicate these actors from different theatrical traditions, the texts of ancient Greek dramatists (at least as they have reached today) . This year I am going to teach drama in ancient Italian students and actors, with the hope that they would discover new ways and alternative forms of expression,maintaining the content and substance of these works. In Greece I have to appear artistically from 2007 when I directed in Athens "The treaty in lies." But I maintain my contact with my country because i write articles, always more on art.
-Which is the place you prefer more?
It's hard when you're in a creative way that even go forward, to pick out something.
The two major stations are Germany and Italy. In the theater of Germany i learned the discipline and consistency and I can give what we have in the worst day. I also learned to carve ''clear lines'' in playing and directing, which was taught mostly by my director, Kostas Papakostopoulos, distinguished champion breeder in Germany. After in Italy, Commedia Dell' Arte, a technique that I studied is theater near maestra Claudia Contin, at a time. In Italy I learned to trust more fun to create, not to overwhelm my colleagues and also to keep my best effort for the end. In this period i studied a new method next to Dr. Alschitz in order to excite the poetic mood on stage. I don't think that one area or style make the difference, because everything comes to complete the ''frame'' that you make as an artist and create your own personality.
-It is well known in the art premises the interesting point that you gave with your artistic work in the show''The conventionally lies''by Jean Cocteau .Talk us about it.
''The conventionally lies in a project created as marrying two monologues. Of" More possible "by August Strindberg, and" Liar "by Cocteau. ¨ It was a wonderful experience, played at the Theatre of the New World, and I thank VangelisTheodoropoulos giving me the opportunity to present my work in such an intimate space and artistes. Keeping a distance of 4 years now, I would say that it was, besides creating two monologues into a dialogue with reasonable treatment, a presentation of "More possible "annotated by" Liar "by Jean Cocteau. My concerns were around the woman, and how it takes different roles in life, and even deeper if the female artist who lives in a fantasy world, lives a life more true from the woman who refuses the imagination for reality. Could you tell me , why woman do men doesn't live the same?Ι will tell you that it was a matter of personal sensitivity and debt obverse in that I love: The woman in every appearance.I followed ''geometric direction'', lines close to Expressionism, in my approach. We played with the man and his reflection, using mirrors on stage. Audience and criticism greeted us warmly and positively, which made happy me and my colleagues. I would describe this work as a personal apology of an artist about the lies, but it is truer than conventional everyday. As Vokakios tells ''In ten days'' a history, "the lie is an end in itself, not the middle." Instead of the life and the society, the lie is obscene because it means. "The Liar" by Cocteau is not a sick, or crook, but a man who defenses against the vulgarity. He doesn't want to tell lies, like the artist wouldn't be an artist, but a quiet man with no fears and anxieties. But this isn't always feasible, so the maze of false makes us prisoners. But if tomorrow i present something in Greece, it will be with a different style. Since then, I went through many aesthetic schools.
-In recent years, you are on abroad.Tell us a few words about the work you have done. After a long career in theater in Cologne and other German cities, i decided to acknowledge the Italian theater.I started in 2008-2009 do comedy del Arteta playing the role of Balanzone, especially in Bolognese dialect. Later, I met the director Bruna Braidotti, and author Massimiliano Santarosa, with whom we did the "Storie dal fondo", a show that lasted up to this winter, and maybe go below. A biography recounts work in a working-class district in the province of northwestern Italy, and calls Triveneto. There I had the role of a neo-Nazi skinheads, a country man who finds an outlet in violence and intolerance.I also participated in several performances in Italy, and i continued to be a member of the DGT Cologne, which is engaged in research on ancient drama.At the same time writing articles, as I said, I teach actors. Currently I am in San Vito Al Tagliamento, which takes place an international meeting of theatrical research under the direction of Dr. Jurij Alschitz, and the support of UNESCO, on the stage survey of short stories by Chekhov. We are artists from around the world, and present our work and exercise in new forms and methods.
-What are your future plans??
For the winter i will teach Ancient Drama and i am going to work on a concept that combines Italian Renaissance tradition of the Greek classic, and we want to present. I intend to use some Greek actors in an intercourse on stage....I think that it will work!
-And finally what is your favorite Hollywood film??
My favorite Hollywood movie is ''The Godfather'' of F. F. Coppola. To my mind this film i like so much for the perfection of interpretations.
Thank you.
-Thank you so much Mr.Goudanakis about your concise answers!
Thursday, August 25, 2011
The weekly legend of the Big Screen!!!
Liza Minnelli
Liza Minnelli was born on March 12, 1946, the daughter of Judy Garland and movie director Vincente Minnelli. She was practically raised at MGM studios while her parents worked long hours there and she made her film debut at fourteen months of age in the movie In the Good Old Summertime (1949). Her parents divorced in 1951 and, in 1952, her mother married Sidney Luft, with sister Lorna Luft and brother Joey Luft subsequently being born. Her father, Vincente Minnelli, later married Georgette Magnani, mother of her half-sister Christiane Nina "Tina Nina" Minnelli.
At sixteen, Liza was on her own in New York City, struggling to begin her career in show business. Her first recognition came for the play "Best Foot Forward" which ran for seven months in 1963. A year later, Judy invited Liza to appear with her for a show at the London Paladium. This show sold out immediately and a second night was added to it. Liza's performance in London was a huge turning point in both her career and her relationship with her mother. The audience absolutely loved Liza and Judy realized that Liza was now an adult with her own career. It was at the Paladium that Liza met her first husband, Peter Allen, a friend of Judy's.
Liza won a Tony award at age nineteen and was nominated for her first Academy Award at age twenty-three for the role of Pookie Adams in The Sterile Cuckoo (1969). Other dramatic roles followed and, in 1972, she won an Oscar for her performance as Sally Bowles in the movie Cabaret(1972). The seventies were a busy time for Liza. She worked steadily in film, stage and music. She and good friend Halston were regulars at Studio 54, the trendiest disco club in the world. Marriages to filmmaker Jack Haley Jr. and Mark Gero, a sculptor who earned his living in the theater followed. Each marriage ended in divorce.
Over the past years, her career has leaned more towards stage performances and she has a long list of musical albums which she continues to add to. She teamed with Frank Sinatra in his "Duets" CD and Sammy Davis Jr. joined them for a series of concerts and TV shows which were extremely well-received.
She has had to deal with tabloid stories of drug abuse and ill-health and has had a number of high profile stays at drug-rehabilitation clinics. Her hectic schedule may have slowed down in recent years, but she still has a large following of immensely loyal fans who continue to cheer her on.
At sixteen, Liza was on her own in New York City, struggling to begin her career in show business. Her first recognition came for the play "Best Foot Forward" which ran for seven months in 1963. A year later, Judy invited Liza to appear with her for a show at the London Paladium. This show sold out immediately and a second night was added to it. Liza's performance in London was a huge turning point in both her career and her relationship with her mother. The audience absolutely loved Liza and Judy realized that Liza was now an adult with her own career. It was at the Paladium that Liza met her first husband, Peter Allen, a friend of Judy's.
Liza won a Tony award at age nineteen and was nominated for her first Academy Award at age twenty-three for the role of Pookie Adams in The Sterile Cuckoo (1969). Other dramatic roles followed and, in 1972, she won an Oscar for her performance as Sally Bowles in the movie Cabaret(1972). The seventies were a busy time for Liza. She worked steadily in film, stage and music. She and good friend Halston were regulars at Studio 54, the trendiest disco club in the world. Marriages to filmmaker Jack Haley Jr. and Mark Gero, a sculptor who earned his living in the theater followed. Each marriage ended in divorce.
Over the past years, her career has leaned more towards stage performances and she has a long list of musical albums which she continues to add to. She teamed with Frank Sinatra in his "Duets" CD and Sammy Davis Jr. joined them for a series of concerts and TV shows which were extremely well-received.
She has had to deal with tabloid stories of drug abuse and ill-health and has had a number of high profile stays at drug-rehabilitation clinics. Her hectic schedule may have slowed down in recent years, but she still has a large following of immensely loyal fans who continue to cheer her on.
Photos:
Wednesday, August 24, 2011
Video: The trailer of the new Nicolas Cage movie.!.
This is the sequel of the ''Ghost Rider''. The new Nicolas Cage film titled ''Ghost Rider: Spirit Of Vengeance'' and will not come out before next February. The actor assumes again the role of avenger Johnny Blaze and with him starring Ciaran Hinds and Idris Elba.
They started shooting the new ... ''Great Gatsby''.
The first film adaptation of the book by F. Scott Fitzgerald remains one of the most classical Hollywood films.Robert Redford, Mia Farrow and Sam Waterstone assume now Leonardo DiCaprio, Tobey Maguire and Carey Mulligan. The shooting of the ''Great Gatsby'' made in Sydney in Australia with the home director Buzz Luhrmann. The protagonists were seen even in the deck is already getting ready for the first scenes. In the halls will be in November 2012.
Monday, August 22, 2011
The first photos of Di Caprio as Edgar Hoover.
In came is the first published photos from the film «J. Edgar », starring by Leonardo Di Caprio and directed by Clint Eastwood. The movie describes the true story of J. Edgar .Edgar Hoover, who is the director of the FBI from May 19, 1924 until his death, left its mark not only for his work and achievements but and of course about his sexual life.
Returns to the big screen "Dirty Dancing".
One of the memorable films of the '80s, ''Dirty Dancing'' is expected to return to the big screen. The company Lionsgate has announced the remake of the 1987film, which starred Patrick Suez and Jennifer Grey.Kenny Ortega, who choreographed the original work will direct the new film. "The opportunity to direct the ''Dirty Dancing'' is like returning home for me," said Ortega in the magazine Variety. "I look forward to assembling a great creative team and an exciting cast of actors who will bring ''Dirty Dancing'' screens for a new generation," he added.
Watch the trailer of the new film by Polanski!!
Shot entirely in France and of course with great players.''The God Of Carnage'' is the new film by Roman Polanski and the first trailer is in circulation. Kate Winslet,Jodie Foster,Christopher Waltz and John C Reily have leading roles in the film based on a play. In the halls are expected in December.
Saturday, August 20, 2011
Συνέντευξη με τον Νίκο Γουδανάκη..!!!:))
O ηθοποιός-σκηνοθέτης Νίκος Γουδανάκης μου παραχώρησε μια mini συνέντευξη σχετικά με την πορεία της καριέρας του,τη θεατρική παράσταση ''Τα κατά συνθήκη ψεύδη'' και τα μελλοντικά του σχέδια!!
-Θα ήθελα να μου πείτε λίγα λόγια για την καλλιτεχνική σας ζωή εντός και εκτός Ελλάδας.
-Ποιος είναι ο χώρος που σας κέρδισε περισσότερο?
Είναι δύσκολο, όταν είσαι σε μια δημιουργική πορεία που ακόμα εξελίσσσεται, να ξεχωρίσεις κάτι. Οι δύο σημαντικοί μου σταθμοί ήταν η Γερμανία κι η Ιταλία. Στο θέατρο της Γερμανίας έμαθα την πειθαρχία και τη συνέπεια, να μπορώ να δίνω αυτό που πρέπει και στη χειρότερη μέρα. Επίσης έμαθα να χαράσω καθαρές γραμμές στο παίξιμο και στη σκηνοθεσία, πράγμα που διδάχτηκα κυρίως από τον σκηνοθέτη μου, Κώστα Παπακωστόπουλο, διακεκριμένο πρωτοπόρο δημιουργό στη Γερμανία. Μετά ακολούθησε η Ιταλία, η Κομέντια Ντελ Άρτε, μια τεχνική Θεάτρου που σπούδασα κοντά στη maestra Claudia Contin, επί έναν χρόνο. Στην Ιταλία έμαθα να εμπιστεύομαι περισσότερο το κέφι για δημιουργία, να μην καταπιέζω το άνστικτό μου και αυτό των συνεργατών μου, να φυλάω το καλύτερό μου χαρτί για το τέλος. Σε αυτήν την περίοδο μαθητεύω κοντά σε μια νέα μέθοδο με τον Dr. με σκοπό τον ερεθισμό της ποιητικής διάθεσης στη σκηνή. Δεν νομίζω πως κάποιος χώρος ή στιλ ξεχωρίζουν, μιας και το κάθε τι έρχεται να συμπληρώσει το κάδρο που φτιάχνεις ως καλλιτέχνης, και δημιουργείς τη δική σου προσωπικότητα.
"Τα κατά συνθήκην ψεύδη δημιουργήθηκαν ως ένα πρότζεκτ παντρέματος δύο μονολόγων. Της "Πιο δυνατής" του Αυγούστου Στρίντμπεργκ, και του "Ψεύτη" του Κοκτώ. ¨Ηταν μια πανέμορφη εμπειρία, που παίχτηκε στο Θέατρο του Νέου Κόσμου, και για αυτό ευχαριστώ τον Βαγγέλη θεοδωρόπουλο που μου έδωσε την ευκαιρία να παρουσιάσω τη δουλειά μου σε ένα τόσο φιλόξενο και αρτίστικο χώρο. Κρατώντας μιαν απόσταση 4 ετών πλέον, θα έλεγα πως ήταν, εκτός από τη δημιουργία δύο μονολόγων σε έναν διάλογο, με ορθολογιστική αντιμετώπιση, μια παρουσίαση της "Πιο δυνατής" σχολιασμένη από τον "Ψεύτη" του Ζαν Κοκτώ. Ο προβληματισμός μου ήταν γύρω από τη γυναίκα, και πώς αυτή υιοθετεί διάφορους ρόλους στη ζωή, κι ακόμα βαθύτερα, αν η γυναίκα-καλλιτέχνης που ζει σε έναν κόσμο φαντασιώσεων, διάγει έναν βίο πιο αληθινό από τη γυναίκα που αρνείται τη φαντασία για την πραγματικότητα. Θα μου πείτε, γιατί γυναίκα, μήπως οι άντρες δεν ζουν το ίδιο; Θα σας πω ότι ήταν θέμα προσωπικής ευαισθησίας και χρέους απέναντι σε αυτό που αγαπώ: Τη γυναίκα σε κάθε της έκφανση και προσωπείο. Ακολούθησα γεωμετρική σκηνοθεσία, γραμμές κοντά στον Εξπρεσιονισμό, αν μου επιτρέπεται η προσέγγιση. Παίξαμε με τον άνθρωπο και το είδωλό του, χρησιμοποιώντας καθρέφτες επάνω στη σκηνή. Το Κοινό και η Κριτική μας υποδέχτηκε ζεστά και θετικά, πράγμα που με εκανε χαρούμενο, τόσο εμένα, όσο και τους συνεργάτες. Εάν μου ζητούσαν να χαρακτηρίσω αυτήν τη δουλειά, θα την ονόμαζα, προσωπική απολογία ενός καλλιτέχνη σχετικά με τα ψέμματα που προβάλει, τα οποία όμως είναι αληθέστερα από τις συμβατικές αλήθειρες της καθημερινότητας. Όπως λέει κι ο Βοκάκιος στο δεκαήμερο σε μια ιστορία του, "το ψέμμα είναι αυτοσκοπός, όχι το μέσον". Αντίθετα, στη ζωή, στην κοινωνία, το ψέμμα είναι χυδαίο επειδή είναι μέσο. "Ο ψεύτης" του Κοκτώ δεν είναι ένας άρρωστος, ούτε απατεώνας, αλλά ένας άνθρωπος που αμύνεται απέναντι στη χυδαιότητα. Δεν θέλει να λέει ψέμματα, όπως ο καλλιτέχνης παρακαλά να μην ήταν καλλιτέχνης, αλλά ένας ήσυχος άνθρωπος χωρίς φόβους κι αγωνίες. Αλλά αυτό δεν είναι πάντα εφικτό, και έτσι ο λαβύρινθος των ψευδών μας κάνει αιχμαλώτους του. Εάν όμως αύριο παρουσίαζα κάτι στην Ελλάδα, θα ήταν σε διαφορετικό στιλ. Από τότε μέχρι σήμερα, πέρασα από πολλές αισθητικές σχολές.
-Τα τελευταία χρόνια δραστηροποιήστε κυρίως στο εξωτερικό.Πείτε μας λίγα λόγια για τις δουλειές που έχετε κάνει.
Μετά από μια πολύχρονη πορεία στο θέατρο της Κολωνίας, και σε άλλες γερμανικές πόλεις, αποφάσισα να γνωρίσω το ιταλικό θέατρο, Ξεκίνησα το 2008-2009 να κάνω Κομέντια Ντελ Άρτε παίζοντας τον ρόλο του Balanzone, και μάλιστα στην μπολωνιέζικη διάλεκτο. Αργότερα, γνώρισα τη σκηνοθέτισα Bruna Braidotti, και τον συγγραφέα Massimiliano Santarosa, με τους οποίους κάναμε το "Storie dal fondo", μια παράσταση που κράτησε ως και φέτος τον χειμώνα, και ίσως πάει παρακάτω. Μια δουλειά που εξιστορεί βιογραφίες σε μια εργατική συνοικία στην επαρχία της Βορειοανατολικής Ιταλίας, επωνομαζόμενης και Triveneto. Εκεί είχα τον ρόλο ενός Νεοναζί σκίνχεντ, ενός επαρχιώτη που βρίσκει διέξοδο στη Βία και στη μισαλλοδοξία. Συμμετείχα σε διάφορες παραστάσεις στην Ιταλία, και συνέχισα να είμαι μέλος του DGT Κολωνίας, που ασχολείται με την έρευνα στο αρχαίο δράμα. Ταυτόχρονα αρθρογραφώ, όπως σας είπα, και διδάσκω σε ηθοποιούς. Αυτή τη στιγμή βρίσκομαι στο San Vito Al Tagliamento, όπου λαμβάνει χώρα μια διεθνής συνάντηση θεατρικής έρευνας υπό τη διεύθυνση του Dr. Jurij Alschitz, και την υποστήριξη της UNESCO, με θέμα τη σκηνική έρευνα στα διηγήματα του Τσέχωφ. Είμαστε καλλιτέχνες από όλον τον Κόσμο, και παρουσιάζουμε τη δουλειά μας, ενώ ασκούμαστε σε νέες φόρμες και μεθόδους.
-Ποια είναι τα μελλοντικά σας σχέδια???
Για τον χειμώνα ετοιμάζω τη διδασκαλία μου στ' Αρχαίο Δράμα, και επεξεργαζόμαστε μια ιδέα που συνδυάζει την αναγεννησιακή ιταλική παράδοση με την ελληνική κλασική, και θέλουμε να το παρουσιάσουμε. Σκοπεύω να χρησιμοποιήσω κάποιους Έλληνες ηθοποιούς σε μια ιταλοελληνική συνεύρεση στη σκηνή, θα δούμε όμως εάν λειτουργήσει.
-Και τέλος ποια είναι η αγαπημένη σας χολυγουντιανη ταινία??!
Αγαπημένη μου χολυγουντιανή ταινία είναι το The Godfather του F. F. Coppola. Νομίζω πως ένας από τους λόγους που με κερδίζει αυτό το φιλμ είναι η τελειότητα των ερμηνειών.
Σας ευχαριστώ.
- Εγώ σας ευχαριστώ πολύ για τις μεστές σας απαντήσεις!
Subscribe to:
Posts (Atom)